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Work.

Explore passages mentioning work, labour. Topic suggestions use transparent word matching, not scholarly classification. Reviewed editorial meanings may also connect entries to this topic; those assignments are labelled separately from word matching.

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03c. 1852 AD
An Austrian army, awfully array'd, Boldly by battery besiege Belgrade; Cossack commanders cannonading come, Deal devastation's dire destructive doom; Ev'ry endeavour engineers essay, For fame, for freedom, fight, fierce furious fray. Gen'rals 'gainst gen'rals grapple,—gracious God! How honors Heav'n heroic hardihood! Infuriate, indiscriminate in ill, Just Jesus, instant innocence instill! Kinsmen kill kinsmen, kindred kindred kill. Labour low levels longest, loftiest lines; Men march 'midst mounds, motes, mountains, murd'rous mines. Now noisy, noxious numbers notice nought, Of outward obstacles o'ercoming ought; Poor patriots perish, persecution's pest! Quite quiet Quakers "Quarter, quarter" quest; Reason returns, religion, right, redounds, Suwarrow stop such sanguinary sounds! Truce to thee, Turkey, terror to thy train! Unwise, unjust, unmerciful Ukraine! Vanish vile vengeance, vanish victory vain! Why wish we warfare? wherefore welcome won Xerxes, Xantippus, Xavier, Xenophon? Yield, ye young Yaghier yeomen, yield your yell! Zimmerman's, Zoroaster's, Zeno's zeal Again attract; arts against arms appeal. All, all ambitious aims, avaunt, away! Et cætera, et cætera, et cæter[=a].
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07Undated
A rolling stone gathers no moss.

Meaning: Constant movement or change can prevent someone from accumulating lasting commitments, resources or attachments. Whether that is a loss or a benefit depends on what the person values.

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10c. 51 AD
It was a custom with Apelles, to which he most tenaciously adhered, never to let any day pass, however busy he might be, without exercising himself by tracing some outline or other,—a practice which has now passed into a proverb. It was also a practice with him, when he had completed a work, to exhibit it to the view of the passers-by in his studio, while he himself, concealed behind the picture, would listen to the criticisms. . . . Under these circumstances, they say that he was censured by a shoemaker for having represented the shoes with one latchet too few. The next day, the shoemaker, quite proud at seeing the former error corrected, thanks to his advice, began to criticise the leg; upon which Apelles, full of indignation, popped his head out and reminded him that a shoemaker should give no opinion beyond the shoes,—a piece of advice which has equally passed into a proverbial saying.
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