Try an author, a thought, or a phrase in “quotes”.↑ ↓ Navigate · Esc Close

0 words found

Explore all results ↗
Charles Dickens: Historical photographic portraitHistorical photographic portraitJeremiah Gurney · Public domain

Charles Dickens

Life dates: 1812 AD — 1870 AD

English novelist and journalist whose comic scenes expose how words, institutions and personal claims shape relationships. Identify a fictional speaker before treating a familiar phrase as the writer’s direct advice.

▷ Play this voiceSearch these words ↗Place in time ↗lifewisdomlovefaithtruthhappinessmindwork

Life and writing

Charles Dickens lived from 1812 to 1870. The Dickens Fellowship’s chronology documents his early life in Portsmouth and London, his reporting work and the publication of Pickwick Papers in instalments in 1836–37. The archive’s existing historical author record already carries those lifetime years. This profile adds referenced reading context without changing its identity or merging separate labels. A novelist’s documented life and a character’s dialogue supply different kinds of evidence, so the two are kept distinct.

Chapter I of The Pickwick Papers makes a quarrel disappear through a comic distinction between ordinary and Pickwickian language. Chapter VI places The Ivy Green within an encounter where a listener records the verse. The archive’s short Pickwickian label is a compressed anthology form, not a verbatim sentence from the novel. Its ivy passage keeps the opening four lines and closing couplet while omitting intervening lines from the first stanza. Reading the complete scenes reveals the rhetoric and narrative frame that those shortened selections leave out.

Reading this voice

Read chapters I and VI, noticing who speaks and how the surrounding listeners respond. These checked locations support related reading, while the archive wording and Bartlett source links remain unchanged. The 499 associated entries include 67 historical anthology records and 432 contributor-supplied records whose broader attribution is independently unverified. The linked e-text does not specify its print edition, and lifetime years do not establish dates for the individual excerpts.

Subjects to explore

Words to begin with

Profile sources and editorial notes

Agent-assisted editorial profile, updated 2026-10-05. A human reviewer is not recorded. Biographical context does not independently authenticate every quotation attributed to this person.

  • The Dickens Fellowship — Life of Charles Dickens ↗

    Original limited factual paraphrase and documented lifetime. Modern biography text and images are not reproduced. Profile identity does not independently verify every associated quotation. Checked 2026-10-05.

  • Historical related reading — The Pickwick Papers ↗

    Catalogue US-public-domain declaration and historical English text checked with retained download hashes. Original reading guidance distinguishes fictional voices, anthology provenance and limited passage comparisons. Checked 2026-10-05.

Quotations and sayings

04c. 1841 AD
Second: them poor things well out o' this, and never no more will I interfere with Mrs. Cruncher's flopping, never no more!""Whatever housekeeping arrangement that may be," said Miss Pross, striving to dry her eyes and compose herself, "I have no doubt it is best that Mrs. Cruncher should have it entirely under her own superintendence.—O my poor darlings!""I go so far as to say, miss, moreover," proceeded Mr. Cruncher, with a most alarming tendency to hold forth as from a pulpit—"and let my words be took down and took to Mrs. Cruncher through yourself—that wot my opinions respectin' flopping has undergone a change, and that wot I only hope with all my heart as Mrs. Cruncher may be a flopping at the present time.""There, there, there! I hope she is, my dear man," cried the distracted Miss Pross, "and I hope she finds it answering her expectations.
↗
09c. 1841 AD
Woodcourt: “Miss Summerson,” said Mr. Woodcourt, “if without obtruding myself on your confidence I may remain near you, pray let me do so.”Esther: “You are truly kind,” I answered. “I need wish to keep no secret of my own from you; if I keep any, it is another’s.”Woodcourt: “I quite understand. Trust me, I will remain near you only so long as I can fully respect it.”Esther: “I trust implicitly to you,” I said, “I know and deeply feel how sacredly you keep your promise.” - pg.807
↗
17c. 1841 AD
You are part of my existence, part of myself. You have been in every line I have ever read since I first came here, the rough common boy whose poor heart you wounded even then. You have been in every prospect I have ever seen since--on the river, on the sails of the ships, on the marshes, in the clouds, in the light, in the darkness, in the wind, in the woods, in the sea, in the streets. You have been the embodiment of every graceful fancy that my mind has ever become acquainted with. The stones of which the strongest London buildings are made, are not more real, or more impossible to be displaced by your hands, than your presence and influence have been to me, there and everywhere will be. Estella, to the last hour of my life, you cannot choose but remain part of my character, part of the little good in me, part of the evil. But, in this separation I associate you only with the good, and I will faithfully hold you to that always, for you must have done me far more good than harm, let me feel now what sharp distress I may. O God Bless you, God forgive you!
↗
21c. 1841 AD
You are to be in all things regulated and governed,’ said the gentleman, ‘by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don’t walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don’t find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,’ said the gentleman, ‘for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste.
↗