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Walt Whitman: Photographic portrait by George Collins CoxPhotographic portrait by George Collins CoxGeorge Collins Cox; restoration by Adam Cuerden · Public domain

Walt Whitman

Life dates: 1819 AD — 1892 AD

American poet whose extended verse connects observation with questions about the self and belonging. Read complete poems and attend to the changes between anthology wording and related editions.

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Life and writing

Walt Whitman lived from 1819 to 1892. The Academy of American Poets documents his work in printing, teaching and journalism, and the first publication of Leaves of Grass in 1855. It also describes his continuing revisions of that collection. Those facts explain why an edition deserves attention when reading a short excerpt. This profile supplies documented lifetime context for the existing archive identity while preserving its undated records and the separate uncertainty of supplied attributions.

A Noiseless Patient Spider moves from an observed creature to an address to the soul, making connection an imaginative undertaking. Quicksand Years instead asks what remains when external arrangements lose their stability. Both poems have checked locations in the linked collection, but their relation to the signed anthology differs. The spider selection uses how where this e-text uses where, and threads where it uses thread. Quicksand Years matches under limited punctuation, case and spacing comparison. These comparisons do not establish which edition an anthology compiler used.

Reading this voice

Begin with A Noiseless Patient Spider and Quicksand Years in full. Compare how each voice handles isolation or uncertainty without making the metaphor a literal rule. The 170 associated records include six signed historical anthology selections and 164 supplied records; the latter remain independently unverified. The linked text’s print edition is unspecified, and the 1855 first-publication fact does not date every poem or archive passage.

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Quotations and sayings

16c. 1855 AD
Trippers and askers surround me,People I meet, the effect upon me of my early life or the ward andcity I live in, or the nation,The latest dates, discoveries, inventions, societies, authors oldand new,My dinner, dress, associates, looks, compliments, dues,The real or fancied indifference of some man or woman I love,The sickness of one of my folks or of myself, or ill-doing or lossor lack of money, or depressions or exaltations,Battles, the horrors of fratricidal war, the fever of doubtful news,the fitful events;These come to me days and nights and go from me again,But they are not the Me myself.Apart from the pulling and hauling stands what I am,Stands amused, complacent, compassionating, idle, unitary,Looks down, is erect, or bends an arm on an impalpable certain rest,Looking with side-curved head curious what will come next,Both in and out of the game and watching and wondering at it.Backward I see in my own days where I sweated through fog withlinguists and contenders,I have no mockings or arguments, I witness and wait.
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21c. 1855 AD
This the touch of my lips to yours, this the murmur of yearning, This the far-off depth and height reflecting my own face, This the thoughtful merge of myself, and the outlet again. Do you guess I have some intricate purpose? Well I have, for the Fourth-month showers have, and the mica on the side of a rock has. Do you take it I would astonish? Does the daylight astonish? does the early redstart twittering through the woods? Do I astonish more than they? This hour I tell things in confidence, I might not tell everybody, but I will tell you.
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