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William Blake

1757 AD — 1827 AD

English poet and engraver whose short lyrics place contrasting voices and images beside one another. Read complete poems before treating an isolated stanza as a settled account of love or belief.

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Life and writing

William Blake lived from 1757 to 1827. The Academy of American Poets documents his London birth, engraving apprenticeship and work as an engraver and illustrator. It dates Songs of Innocence to 1789 and Songs of Experience to 1794, describing the illustrated format of both. Those original publication dates differ from the checked 1901 related edition. This profile adds referenced context to the existing archive identity without changing its supplied wording, undated records or independent attribution uncertainty.

Academy of American Poets — William Blake ↗ Academy biography: lifetime, London birth, engraving and the 1789/1794 Songs publications

The opening of The Clod and the Pebble offers a self-giving account of love, but the complete poem also gives the pebble an opposing voice. On Another’s Sorrow begins with questions about responding to another person’s pain and develops them through further images and religious language. Both selected supplied excerpts match the linked 1901 text under limited case, punctuation and spacing comparison. That small check locates passages for related reading; it does not authenticate the other 128 associated supplied records or claim that this transcription preserves the appearance of Blake’s illustrated plates.

Historical related reading — Songs of Innocence and of Experience ↗ 1901 Songs: The Clod and the Pebble, opening and opposed final stanza; On Another’s Sorrow

Reading this voice

Read The Clod and the Pebble and On Another’s Sorrow in full. Notice the different speakers and how a stanza changes when another voice answers it. All 130 associated entries are contributor-supplied and remain independently unverified as a collection. The two selected passage checks are limited; the 1901 edition is not a composition date, and this text link does not substitute for examining the original illustrated works.

Subjects to explore

Editorial reading connections, distinct from the archive’s word matching.

A work to read

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Editorial starting points from this author’s existing entries.

Profile sources and editorial status

Original agent-assisted editorial profile, checked 2026-10-05. No human review is recorded. Life dates are recorded to the year; they do not date individual quotations.

Archive entries

12Undated
The Prophets Isaiah and Ezekiel dined with me, and I asked them how they dared so roundly to assert, that God spoke to them; and whether they did not think at the time, that they would be misunderstood, & so be the cause of imposition.Isaiah answer'd, I saw no God, nor heard any, in a finite organical perception; but my senses discover'd the infinite in every thing, and as I was then persuaded, & remain confirm'd; that the voice of honest indignation is the voice of God, I cared not for consequences but wrote.
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21Undated
I wander through each chartered street,Near where the chartered Thames does flow;A mark in every face I meet,Marks of weakness, marks of woe.In every cry of every man,In every infant’s cry of fear,In every voice, in every ban,The mind-forged manacles I hear:How the chimney-sweeper’s cryEvery blackening church appals,And the hapless soldier’s sighRuns in blood down palace-walls.But most, through midnight streets I hearHow the youthful harlot’s curseBlasts the new-born infant’s tear,And blights with plagues the marriage-hearse.
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