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Although time is included among continuous quantities, being indivisible and immaterial it does not altogether fall into the scope of geometry,—by which it is divided into figures and bodies of infinite variety, which are seen to be continuous inasmuch as they are visible and material,—but it agrees only with its first principles, i.e. with the point and the line; the point in time may be compared to an instant, and the line to the length of a certain quantity of time. Just as the point is the beginning and end of a line, so is an instant the beginning and end of any given space of time; and just as a line is infinitely divisible, so can a given space of time be likewise divided, and as the divisions of the line are in proportion to each other, so likewise are the divisions of time.

Although time is included among continuous quantities, being indivisible and immaterial it does not altogether fall into the scope of geometry,—by which it is divided into figures and bodies of infinite variety, which are seen to be continuous inasmuch as they are visible and material,—but it agrees only with its first principles, i.e. with the point and the line; the point in time may be compared to an instant, and the line to the length of a certain quantity of time. Just as the point is the beginning and end of a line, so is an instant the beginning and end of any given space of time; and just as a line is infinitely divisible, so can a given space of time be likewise divided, and as the divisions of the line are in proportion to each other, so likewise are the divisions of time.

Approximate author period: c. 1486 AD · medieval

Meaning not yet available

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Attribution & collection notes
Author or tradition
Leonardo da Vinci
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1486 AD · medieval
author lifetime midpoint (1452–1519); not quotation composition date
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Recorded source
Thoughts on Art and Life (1906 English edition) (1906 AD)

Thoughts on Life, complete printed unit 76; Maurice Baring translation; Boston: The Merrymount Press,1906

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Leonardo da Vinci: Drawn portrait

Represented by the complete source-numbered selections in Thoughts on Art and Life, Maurice Baring’s1906English translation, edited by Lewis Einstein. The catalogue records1452–1519; the historical collection is a selection from notebooks, not a continuous book composed by Leonardo or independent authentication of every attributed passage.

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