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I do not consider that men of coarse and boorish habits and of slender parts deserve so fine an instrument nor such a complicated mechanism as men of contemplation and high culture. They merely need a sack in which their food may be held and whence it may issue, since verily they cannot be considered otherwise than as vehicles for food, for they seem to me to have nothing in common with the human race save the shape and the voice; as far as the rest is concerned they are lower than the beasts.

I do not consider that men of coarse and boorish habits and of slender parts deserve so fine an instrument nor such a complicated mechanism as men of contemplation and high culture. They merely need a sack in which their food may be held and whence it may issue, since verily they cannot be considered otherwise than as vehicles for food, for they seem to me to have nothing in common with the human race save the shape and the voice; as far as the rest is concerned they are lower than the beasts.

Approximate author period: c. 1486 AD · medieval

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Attribution & collection notes
Author or tradition
Leonardo da Vinci
Attribution: attributed
Country attributed
Not established
A country attribution does not establish the earliest origin.
Historical period
Approximate author period: c. 1486 AD · medieval
author lifetime midpoint (1452–1519); not quotation composition date
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken.
Recorded source
Thoughts on Art and Life (1906 English edition) (1906 AD)

Thoughts on Life, complete printed unit 12; Maurice Baring translation; Boston: The Merrymount Press,1906

A collection's publication date can be later than the words it records.

The voice behind the words.

Leonardo da Vinci: Drawn portrait

Represented by the complete source-numbered selections in Thoughts on Art and Life, Maurice Baring’s1906English translation, edited by Lewis Einstein. The catalogue records1452–1519; the historical collection is a selection from notebooks, not a continuous book composed by Leonardo or independent authentication of every attributed passage.

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