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I will not dwell on false physiognomy and chiromancy because there is no truth in them, and this is manifest because chimeras of this kind have no scientific foundation. It is true that the lineaments of the face partly reveal the character of men, their vices and temperaments; but in the face: (a) the features which separate the cheeks from the lips, and the nostrils and cavities of the eyes, are strongly marked if they belong to cheerful and good-humoured men, and if they are slightly marked it denotes that the men to whom they belong are given to meditation, (b) Those whose features stand out in great relief and depth are brutal and bad-tempered, and reason little, (c) Those who have strongly marked lines between the eyebrows are bad-tempered, (d) Those who have strongly marked lines on the forehead are men full of concealed or unconcealed bewailing. And we can reason thus about many features. But the hand? You will find that whole armies perished in the same hour by the sword in which no two men had similar marks in their hands, and the same argument applies to a shipwreck.

I will not dwell on false physiognomy and chiromancy because there is no truth in them, and this is manifest because chimeras of this kind have no scientific foundation. It is true that the lineaments of the face partly reveal the character of men, their vices and temperaments; but in the face: (a) the features which separate the cheeks from the lips, and the nostrils and cavities of the eyes, are strongly marked if they belong to cheerful and good-humoured men, and if they are slightly marked it denotes that the men to whom they belong are given to meditation, (b) Those whose features stand out in great relief and depth are brutal and bad-tempered, and reason little, (c) Those who have strongly marked lines between the eyebrows are bad-tempered, (d) Those who have strongly marked lines on the forehead are men full of concealed or unconcealed bewailing. And we can reason thus about many features. But the hand? You will find that whole armies perished in the same hour by the sword in which no two men had similar marks in their hands, and the same argument applies to a shipwreck.

Approximate author period: c. 1486 AD · medieval

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Attribution & collection notes
Author or tradition
Leonardo da Vinci
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1486 AD · medieval
author lifetime midpoint (1452–1519); not quotation composition date
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Recorded source
Thoughts on Art and Life (1906 English edition) (1906 AD)

Thoughts on Life, complete printed unit 81; Maurice Baring translation; Boston: The Merrymount Press,1906

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Leonardo da Vinci: Drawn portrait

Represented by the complete source-numbered selections in Thoughts on Art and Life, Maurice Baring’s1906English translation, edited by Lewis Einstein. The catalogue records1452–1519; the historical collection is a selection from notebooks, not a continuous book composed by Leonardo or independent authentication of every attributed passage.

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