quote · Source-linked selection
The eye, which reflects the beauty of the universe to those who see, is so excellent a thing that he who consents to its loss deprives himself of the spectacle of the works of nature; and it is owing to this spectacle, effected by means of the eye, which enables the soul to behold the various objects of nature, that the soul is content to remain in the prison of the body; but he who loses his eyesight leaves the soul in a dark prison, where all hope of once more beholding the sun, the light of the whole world, is lost.... And how many are they who feel great hatred for the darkness of night, although it is brief. Oh! what would they do were they constrained to abide in this darkness during the whole of their life? Certainly there is no one who would not rather lose his hearing or his sense of smell than his eyesight, and the loss of hearing includes the loss of all sciences which find expression in words; and this loss a man would incur solely so as not to be deprived of the sight of the beauty of the world which consists in the surfaces of bodies artificial as well as natural, which are reflected in the human eye.
The eye, which reflects the beauty of the universe to those who see, is so excellent a thing that he who consents to its loss deprives himself of the spectacle of the works of nature; and it is owing to this spectacle, effected by means of the eye, which enables the soul to behold the various objects of nature, that the soul is content to remain in the prison of the body; but he who loses his eyesight leaves the soul in a dark prison, where all hope of once more beholding the sun, the light of the whole world, is lost.... And how many are they who feel great hatred for the darkness of night, although it is brief. Oh! what would they do were they constrained to abide in this darkness during the whole of their life? Certainly there is no one who would not rather lose his hearing or his sense of smell than his eyesight, and the loss of hearing includes the loss of all sciences which find expression in words; and this loss a man would incur solely so as not to be deprived of the sight of the beauty of the world which consists in the surfaces of bodies artificial as well as natural, which are reflected in the human eye.
Approximate author period: c. 1486 AD · medieval
Meaning not yet available
An individual explanation has not yet been added. We do not substitute a generic description for an interpretation of these particular words.
Begin with source-checked readings and explanations ↗Attribution & collection notes
- Author or tradition
- Leonardo da Vinci
Attribution: attributed - Country attributed
- Not established
A country attribution does not establish the earliest origin. - Historical period
- Approximate author period: c. 1486 AD · medieval
author lifetime midpoint (1452–1519); not quotation composition date
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken. - Recorded source
- Thoughts on Art and Life (1906 English edition) (1906 AD)
Thoughts on Life, complete printed unit 125; Maurice Baring translation; Boston: The Merrymount Press,1906
A collection's publication date can be later than the words it records.
The voice behind the words.
Represented by the complete source-numbered selections in Thoughts on Art and Life, Maurice Baring’s1906English translation, edited by Lewis Einstein. The catalogue records1452–1519; the historical collection is a selection from notebooks, not a continuous book composed by Leonardo or independent authentication of every attributed passage.
More from Leonardo da Vinci ↗