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This is a difficult question to answer, but I will nevertheless state my opinion. Water, which is clothed with air, desires naturally to cleave to its sphere because in this position it is without gravity. This gravity is twofold,—the gravity of the whole which tends to the centre of the elements, and the gravity which tends to the centre of the waters of the spherical orb; if this were not so the water would form a half sphere only, which is the sphere described from the centre upwards. But I see no means in the human mind of acquiring knowledge with regard to this. We must say, as we say of the magnet which attracts iron, that such a virtue is an occult property of which there is an infinite quantity in nature.

This is a difficult question to answer, but I will nevertheless state my opinion. Water, which is clothed with air, desires naturally to cleave to its sphere because in this position it is without gravity. This gravity is twofold,—the gravity of the whole which tends to the centre of the elements, and the gravity which tends to the centre of the waters of the spherical orb; if this were not so the water would form a half sphere only, which is the sphere described from the centre upwards. But I see no means in the human mind of acquiring knowledge with regard to this. We must say, as we say of the magnet which attracts iron, that such a virtue is an occult property of which there is an infinite quantity in nature.

Approximate author period: c. 1486 AD · medieval

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Attribution & collection notes
Author or tradition
Leonardo da Vinci
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1486 AD · medieval
author lifetime midpoint (1452–1519); not quotation composition date
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken.
Recorded source
Thoughts on Art and Life (1906 English edition) (1906 AD)

Thoughts on Science, complete printed unit 77; Maurice Baring translation; Boston: The Merrymount Press,1906

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The voice behind the words.

Leonardo da Vinci: Drawn portrait

Represented by the complete source-numbered selections in Thoughts on Art and Life, Maurice Baring’s1906English translation, edited by Lewis Einstein. The catalogue records1452–1519; the historical collection is a selection from notebooks, not a continuous book composed by Leonardo or independent authentication of every attributed passage.

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