Try an author, a thought, or a phrase in “quotes”.↑ ↓ Navigate · Esc Close

0 words found

Explore all results ↗

George Eliot

1819 AD — 1880 AD

English novelist whose fiction asks readers to examine motives, sympathy and the effects of a judgment. Literary speakers and historical anthology attributions remain distinct.

Author and source reference ↗
▷ Play this voiceSearch within this voice ↗Place in time ↗knowledgenaturelifecharacterdeathmindlovetruth
Historical source references

Life and writing

George Eliot was the pen name of Mary Ann Evans, the novelist identified by the National Portrait Gallery as living from 1819 to 1880. The gallery lists Middlemarch among her novels and describes its attention to social structures and personal disappointment. A profile gives this existing archive identity a grounded reading context; it does not turn the name attached to each anthology or contributor record into an independent authentication of that quotation.

National Portrait Gallery — George Eliot ↗ NPG person biography: pen name, lifetime and named novels

In chapter LXXII of the linked Middlemarch, Dorothea responds to damaging talk about Lydgate by asking what people live for if not to ease one another’s difficulty. The question is spoken in a scene with other viewpoints, not presented as a detached command from the novelist. Read the neighbouring exchanges to see how sympathy competes with suspicion and caution. This checked comparison connects one retained anthology passage to related reading without claiming that the anthology used the same Caldwell printing.

Historical related reading — Middlemarch ↗ Caldwell Middlemarch, chapter LXXII: Dorothea on Lydgate and rumours

Reading this voice

Begin with chapter LXXII and the surrounding discussion of Lydgate. The selected historical anthology entries preserve their printed signatures and independent references; the second concerns sympathy without an established location in this linked novel. There are 304 associated records, including 295 contributor entries that remain independently unverified. Profile lifetime dates are not composition dates or a change to the archive’s existing historical coordinates.

Subjects to explore

Editorial reading connections, distinct from the archive’s word matching.

A work to read

Begin with these archive passages

Editorial starting points from this author’s existing entries.

Profile sources and editorial status

Original agent-assisted editorial profile, checked 2026-10-05. No human review is recorded. Life dates are recorded to the year; they do not date individual quotations.

  • National Portrait Gallery — George Eliot ↗

    Original limited factual paraphrase and documented lifetime. Modern biography text and images are not reproduced. Profile identity does not independently verify every associated quotation. Reference checked 2026-10-05.

  • Historical related reading — Middlemarch ↗

    Catalogue US-public-domain declaration and historical English text checked with retained download hashes. Original reading guidance distinguishes fictional voices, anthology provenance and limited passage comparisons. Reference checked 2026-10-05.

Archive entries

09Undated
We can't choose happiness either for ourselves or for another; we can't tell where that will lie. We can only choose whether we will indulge ourselves in the present moment, or whether we will renounce that for the sake of obeying the divine voice within us,—for the sake of being true to all the motives that sanctify our lives. I know this belief is hard; it has slipped away from me again and again; but I have felt that if I let it go forever, I should have no light through the darkness of this life.
↗