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Samuel Taylor Coleridge: Portrait at age 42Portrait at age 42Samuel Cousins, after Washington Allston · Public domain

Samuel Taylor Coleridge

Life dates: 1772 AD — 1834 AD

Coleridge’s narrative poetry asks readers to hear a speaker within a story. Follow the mariner’s experience and its effect on his listener before extracting a final statement as detached advice.

▷ Play this voiceSearch these words ↗Place in time ↗lifedeathlovefaithtruthfriendshipworkmind

Life and writing

The Poetry Foundation describes Coleridge as both a poet and a critic and gives his lifetime as 1772–1834. Its discussion places literary imagination and the relationship with Wordsworth among the concerns of his career. This profile uses that account as life and writing context, without equating biography with every narrative voice. The linked Lyrical Ballads volume belongs to their joint project; the two authors retain separate archive identities and separate selected poems.

The selected prayer-and-love passages appear near the end of The Rime of the Ancyent Marinere in the linked 1798 text. Both selected English extracts match under limited punctuation, spacing and case comparison. The second continues into two further lines about God, while the narrative then returns to the wedding guest’s changed state. Reading the address and its aftermath together keeps the statements inside the religious and dramatic setting of the poem. The profile neither rewrites the anthology nor treats a short matching extract as verification of every associated record.

Reading this voice

Begin near the conclusion of The Rime of the Ancyent Marinere, but continue beyond both selected extracts: the next lines and the wedding guest’s response are part of their setting. Both excerpts match under limited English normalization. Read the wider account of the mariner’s actions and experience before turning his words into a universal maxim. This link preserves the anthology wording and does not establish the exact edition its compiler used.

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Profile sources and editorial notes

Agent-assisted editorial profile, updated 2026-10-05. A human reviewer is not recorded. Biographical context does not independently authenticate every quotation attributed to this person.

Quotations and sayings

22c. 1803 AD
O never rudely will I blame his faith In the might of stars and angels!... ... For the stricken heart of Love This visible nature, and this common world, Is all too narrow: yea, a deeper import Lurks in the legend told my infant years Than lies upon that truth, we live to learn, For fable is Love’s world, his home, his birth-place: Delightedly dwells he ’mong fays and talismans, And spirits; and delightedly believes Divinities, being himself divine. The intelligible forms of ancient poets, The fair humanities of old religion, The Power, the Beauty, and the Majesty, That had their haunts in dale, or piny mountain, Or forest, by slow stream, or pebbly spring, Or chasms and wat’ry depths; all these have vanished. They live no longer in the faith of reason! But still the heart doth need a language, still Doth the old instinct bring back the old names, And to yon starry world they now are gone, Spirits or gods, that used to share this earth With man as with their friend; and to the lover Yonder they move, from yonder visible sky Shoot influence down: and even at this day ’Tis Jupiter who brings whate’er is great, And Venus who brings everything that’s fair.
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24c. 1803 AD
A loose, slack, not well-dressed youth met Mr. Green and myself in a lane near Highgate. Green knew him and spoke. It was Keats. He was introduced to me, and stayed a minute or so. After he had left us a little way, he came back and said, “Let me carry away the memory, Coleridge, of having pressed your hand!” “There is death in that hand,” I said to Green, when Keats was gone; yet this was, I believe, before the consumption showed itself distinctly.
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