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Victor Hugo: Photographic portrait, 1876Photographic portrait, 1876Étienne Carjat · Public domain

Victor Hugo

Life dates: 1802 AD — 1885 AD

Hugo places a defence of beauty beside the loss of Jean Valjean’s name in prison. Read the bishop’s reply and the narrator’s account in their separate scenes of usefulness and human dignity.

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Life and writing

The catalogue identifies Victor Hugo with lifetime years 1802–1885 and names Isabel Florence Hapgood as translator of this English Les Misérables. Judith Boss and David Widger receive digital credits. The selected passages come from the opening volume, Fantine, and concern different figures. The catalogue HTML ISBN belongs to the electronic edition. The linked reading does not establish an original print publisher or independently authenticate every archive attribution to Hugo.

When Madame Magloire proposes replacing flowers with useful vegetables, the bishop replies that the beautiful is useful too. That remark belongs to a conversation about his garden. The account of Jean Valjean’s arrival at Toulon, by contrast, is narrated: imprisonment replaces his name with a number after his separation from his family. The scenes connect dignity with both everyday choices and institutions. Neither should be treated as a direct autobiographical statement by Hugo or a universal description of prison procedure. The two selected extracts match the checked English text.

Reading this voice

Read the garden exchange through the bishop’s reply, then the account of Valjean’s separation and imprisonment. Notice the different voices: a character defending flowers and a narrator describing the effacement of a person’s name.

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Quotations and sayings

02c. 1843 AD
If they had had a different neighbour, one less sel-absorbed and more concerned for others, a man of normal, charitable instincts, their desperate state would not have gone unnoticed, their distress-signals would have been heard, and perhaps they would have been rescued by now. Certainly they appeared utterly depraved, corrupt, vile and odious; but it is rare for those who have sunk so low not to be degraded in the process, and there comes a point, moreover, where the unfortunate and the infamous are grouped together, merged in a single, fateful world. They are les misérables - the outcasts, the underdogs. And who is to blame? Is it not the most fallen who have most need for charity?
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12c. 1843 AD
In all Thénardier's outpourings, the words and gestures, the fury blazing in his eyes, this explosion of an evil nature brazenly exposed, the mixture of bravado and abjectness, arrogance, pettiness, rage, absurdity; the hodgepodge of genuine distress, and lying sentiment, the shamelessness of a vicious man rejoicing in viciousness, the bare crudity of an ugly soul -- in this eruption of all suffering and hatred there was something which was hideous as evil itself and still as poignant as truth.
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